Well, actually, my ONLY Reese piece, at least in finished form anyway, although I went through several rough attempts before I thought I was getting closer. Reese Witherspoon was the NCN birthday subject about a week ago, but I didn't get my picture done on time to post it on that day. I watched my DVD of "Legally Blonde" in order to do the sketch, although it went through several revisions at the pencil stage before I committed it to the ink and colour version you see here. She was actually much harder to draw than I thought she'd be, and I'm still not sure it's as good as I'd like but I'm posting it here anyway.
Such sad news with the tragic death at 45 of Natasha Richardson yesterday. A lovely, elegant woman with a rich lineage of movie/stage royalty. She hadn't made a lot of films, but I made a point of watching my favourite tonight in order to do this sketch in tribute to her. This drawing depicts Natasha as she appeared in 1994's "Widows' Peak", a sly little tale set in Ireland, in which she costarred alongside Mia Farrow and Joan Plowright.
Goodnight, sweet Natasha. You'll be fondly remembered....
Just a quick post today, as I'm too busy to write much. Anyway, once again I did a caricature for the NCN forum which acknowledges the birthdays of notable people. Today, March 14 happens to be the birthday of Albert Einstein. I haven't read much about him but I gather he was pretty smart. :)
Trivia: Did you know that comedian Albert Brooks is the brother of comedian Bob ("Super Dave") Einstein, and that the family name is actually Einstein? Yep, Albert Brooks' real name was originally Albert Einstein! No foolin'!
Over at the National Caricaturists Network, Jan Op De Beeck's birthday pick for today is Al Jaffee, the veteran MAD Magazine cartoonist. Al is celebrating his 88th birthday today, and I'm happy to see that he's still one of "The Usual Gang of Idiots" contributing to MAD on a regular basis. There aren't too many still there of the artists who were big in the 1970s, when I was a regular reader. Aside from Al, there's still Mort Drucker and Sergio Aragones, maybe a few others, but mostly there's been a newer crew illustrating in this millennium, including the wonderful Tom Richmond. My favourite was Jack Davis, but I don't believe he's been active at MAD for awhile now.
Even after all these decades since starting as an artist with the magazine in 1964, Al Jaffee is still coming up with his famous "MAD Fold-In" for the back inside cover every month. Frankly, I don't know how he creates those things - they're brilliant visual puzzles! Incidentally, he was also recently named "Outstanding Cartoonist of the Year" at the 2008 Reuben Awards, presented by The National Cartoonist Society.
In order to draw this caricature of Al, I checked out what was available on YouTube, so here are a couple of neat interviews with him that I found. Happy Birthday Al!
Today is the birthday of Bobby Driscoll, who had a memorable career as an impish child actor, but whose life ended all too soon and tragically in 1968 at the young age of 31. After some years of drug and alcohol abuse as a young adult, Bobby was finally able to clean himself up, yet found himself shunned by the entertainment industry and unable to get work. How different it is nowadays, when even repeat offenders like Robert Downey Jr. seem to get welcomed back into Hollywood's arms for an infinite number of second chances. Bobby Driscoll was never given a second chance though, and he died impoverished after having shown such promise so early on in his young life.
Bobby will always be closely associated with Disney for such films as "Song of the South", "So Dear to My Heart" and "Treasure Island". But I like to believe that he has also achieved a cinematic immortality as the voice and live film reference model for Disney's animated classic, "Peter Pan". As you can see in this still from the film, Pan was essentially a caricature of the then teenaged Bobby Driscoll, with his pixieish face and smile. I watched "Treasure Island" again a few nights ago in order to draw Bobby Driscoll, and he really was something as the brave Jim Hawkins, who wouldn't go back on his word, even if it meant acting in good faith with the wily but charismatic pirate, Long John Silver. Long John was played by British actor, Robert Newton, who coincidentally also had a problem with alcohol abuse and died at the relatively early age of 50. Newton is a joy to watch in his role as Silver though, with his bright eyes glinting in both menace and mischief, and speaking in a Cornish accent that became the stereotypical pirate "voice", still imitated to this very day. His final role was playing Mr. Fix, the inspector who doggedly pursues Phileas Fogg in "Around the World in 80 Days".
So let's celebrate both Bobby Driscoll and Robert Newton on this day - two actors who left us far too early before realizing their full potential.
I don't normally do many caricatures of political figures, as my preference is for showbiz entertainers. However, over on the National Caricaturists Network (NCN), our esteemed senior member, Jan Op De Beeck, has come up with a daily challenge for us to draw a celebrity he has chosen who is celebrating his or her birthday that day. That's what led to my recent caricatures of Lee Marvin and Ellen Page, by the way. This past Sunday was Senator Ted Kennedy's birthday and, since he's a politician I quite admire and respect, I thought I should do a caricature tribute to him. (Don't forget - we have him to thank for being one of the major players to endorse Barack Obama in the presidential race!)
Admittedly, I have somewhat mixed feelings about Senator Joe Lieberman, who celebrates his birthday on Tuesday. Though a Democrat, Joe also seems to have one foot firmly planted in the Republican camp, being somewhat hawkish in matters of defense and foreign policy. Still, I do respect him for speaking his mind and voting accordingly, as I don't believe anybody should slavishly adhere to the party line on every issue.
Incidentally, I have to share this funny YouTube clip I came across, as it turns out that somebody else agrees with me in noticing the similarities between Joe and the "son" of Stimpy in an episode of John Kricfalusi's "Ren and Stimpy":
In just a short time from now the Academy Awards is about to begin. I'll be tuning in as is my annual ritual, of course! Though I'm afraid I have no caricatures of any of this year's nominees to post, I will instead offer up this one I did of last year's nominee for Best Actress, Ellen Page as "Juno". This was drawn just a couple days ago in honour of Miss Page's birthday which was yesterday. Such a cute kid!
Anyway, I have to go now and get ready for the Oscars. Here's the trailer for "Juno":
Yep, today I hit 49, and so now the countdown is on to the big five-0 next year. I must admit that's a scary thought indeed. On the brighter side, however, Barack Obama has made the journey up here to Canada today to help me celebrate my birthday. In fact, here's a photo of me and Barack just taken this morning before he headed off to Ottawa for a dull discussion with our Prime Minister Harper. Oh, the other fellow in the photo is John McCain, whom you may recall lost out to Barack in the recent U.S. election. John's been kind of down in the dumps since then, so Barack graciously invited him along to join in my birthday celebration. Sorry for the photo being so small, but it was taken on John's Polaroid One Step.
By the way, I should acknowledge some other people who are celebrating their birthday today. Prince Andrew for one, who coincidentally was born on the exact same day as me in 1960. Personally I've always suspected that the cradles were switched at birth and that I should currently be enjoying a life of luxury in the British Monarchy. Ah well...
And it also happens to be the birthday of actor, Lee Marvin, who would have celebrated turning 85 this year if it weren't for the sad fact he left us a few years ago due to his celebrating maybe a little too hard all his life! But in honour of this crazy rascal, here is my caricature of Lee Marvin in his Oscar winning role as the drunken, washed up gunfighter, "Kid Shelleen", from the 1965 film, "Cat Ballou". Actually, I just watched "Cat Ballou" again a couple of nights ago so I could draw this, and it really is a fun film. Jane Fonda is just so young and pretty as the title character, and it also features a rare bigscreen appearance by one of my favourite singers, Nat King Cole, playing one of two wandering minstrels (along with Stubby Kaye) who narrate parts of the story in song.
Here is a montage of scenes that somebody had cobbled together on YouTube that pay tribute to Lee Marvin as Kid Shelleen. The shot of the drunken Shelleen leaning up against the wall astride his equally drunken horse is priceless!
John Kricfalusi has just posted an interesting piece on the use of dog-nosed faces on otherwise very human cartoon characters. This is a phenomenon mostly found in Disney's "Uncle Scrooge" and Donald Duck" comics illustrated by Carl Barks, although it's been seen in animation as well, like Nelvana's "Rock and Rule", for example. I agree with John that this type of character is rather off-putting, as it is neither distinctly human nor typical of the "Funny Animal" type of cartoons so prevalent in animation and comics. Though the Carl Barks dog-nosed characters are rather benign, this trend also begat the "Furry" movement, which usually also seems to have a sexual bent to it in the art of its many practitioners.
At this very point in time, I am coincidentally covering the topic of "Anthropomorphism" in my Character Design course at Sheridan College, so I'd like to take this opportunity to address the distinction between "Funny Animals" and "Furries". Some time ago, I'd posted this piece on "Four Degrees of Anthropomorphism" that covers most of the main approaches to creating animals with human traits and personalities in various animated shorts and features. By breaking it down into these four common approaches, I hope to teach my students how to create a set of rules to apply to the way they handle animal characters in their film stories, so that there's a certain logic and plausibility that is maintained in what they're trying to communicate to their audience. And from a purely visual standpoint, I'm also trying to impress upon them where to draw the line between an anthropomorphic animal that possesses human traits, before crossing that line and instead ending up with a "Furry", being essentially an animal's head stuck on top of a fur covered human body.
Ideally, an anthropomorphic animal should maintain something of the actual animal's physique, even when walking around on two legs and wearing clothes. If you look at this still from Disney's "Robin Hood", you will note that Robin himself is still very much a fox on two legs, and that if placed back down on all fours without his costume, he would be very much at home in a film like "Lady and the Tramp" as a caricature of a real fox but with a human personality. Same thing with Little John the bear. When done really well, an anthropomorphic animal character should be initially visualized as a "Human Type", then translating those human physical traits and reinterpreting them in the animal design. I discussed this topic here.
For those of you familiar with "The Country Bear Jamboree" at Walt Disney World, the Disney artists were very successful in creating a cast of bear characters that looked like caricatures of the type of performers one would see on the stage at Nashville's "Grand Ol' Opry". Here is a picture of "Big Al", as an example of what I'm talking about. The facial design and physical body type are very much based on the character's human equivalent, yet never losing sight of the physical design of the actual animal either. For many students, this seems to be rather confusing and a challenge to pull off, while for others it seems to be a very natural, intuitive process.
For the uninitiated, just so you have a clear idea of the distinction between what I'm describing here and the aforementioned, dreaded "Furries", here is a link to some Google images of the latter. As you can see, they are more mutant than animal. As a general rule of thumb: If it is embarrassing to look at your animal character when he or she is naked, chances are you've drawn a "Furry"!!
Just to solidify the distinction, here is a clip from Disney's "Bedknobs and Broomsticks" that shows how to successfully translate animals into two-legged anthropomorphic characters while still maintaining the animal's physique. I really love this clip, as all of the gags are based on the traits of the actual animals, yet every one of them also conjures up a "Human Type" equivalent as well. Wouldn't you agree that the big ugly rhino puts one in mind of some thuggish, skinhead footballer? Of course, the sleek and agile cheetah is more of the David Beckham type.
I was going through some boxes of stuff the other day and ran across some relics from my years in the art department at Walt Disney World. This is the illustration I did for the folder cover that held the 1992 Silver Pass that all Disney cast members (employees) at a certain level would have received. The banner would have been printed in bronze and gold on the passes for other levels. The name of the individual cast member would have also been printed on the banner so that the folder artwork itself was a nice little personalized souvenir for them.
Incidentally, these passes enabled the cast members to sign up to three guests into the park, as a nice side benefit of working for Disney. I believe there was some restriction on how often you could do this during the year, however, as some cast members had abused their privileges in the past. Anyway, I thought it was wonderful to be able to treat my family and friends to a day in the parks when they traveled down to visit me in Florida.
The original illustration itself was probably about twice the dimensions of this printed piece, and I painted it in gouache on illustration board. Modeling on the characters was all done in a dry brush technique, while the shadows underneath the characters and Tink's pixie dust trail were done with an airbrush - something I used sparingly, as I found it rather unwieldy! This was long before I started using Photoshop, which I find so much easier for creating highly controlled airbrush effects. Mind you, I still far prefer the look of the character art done with real paint.
I recall that the most fun part of this particular assignment was getting to draw and paint Henry Bear, the master of ceremonies in "The Country Bear Jamboree", my favourite WDW attraction. Though he may have been a 3-dimensional audio-animatronic character, I wanted to treat him as pure cartoon, like he could have easily existed in a 1940s/1950s Disney animated short, as a close cousin to Humphrey Bear. In fact, I was always disappointed that these bears from that attraction had never been utilized much on Disney merchandise through the years, and had never been portrayed in pure animated cartoon form, especially since the design concept art had all been done by legendary Disney animator and Imagineer, Marc Davis. It's also too bad that Disney didn't adapt them to animation and use that as the basis for the "Country Bears" movie they did some years back, instead of the godawful live-action/costumed crap that they churned out. A traditionally animated feature keeping the characters intact in their cartoon design would have been infinitely more satisfying to we longtime Disney fans.
I've worked as a cartoonist in the print medium for over 30 years, including 10 years as a Character Artist with the Disney Company. For 11 years I taught Character Design in the Animation program at Sheridan College. Currently, I freelance for various clients with my cartoon and caricature illustration.
Though my feet may be physically planted in this 21st century, my mind prefers to take up residence in the 1960's - a time when everything in commercial art and popular entertainment still made sense to me. It was Sinatra's world and I'm still livin' in it. Welcome to The Cartoon Cave...
