Happy Birthday, Pamela Sosnowski!

Though this blog has been somewhat dormant for awhile, I’ve recently started to revive it with a flurry of new posts, celebrating entertainers that I like. Today the Cartoon Cave would like to try something a little different, in that I’d like to salute one of my fellow bloggers, Pamela Sosnowski, on her birthday. Pam is the creator of the Go Retro blogsite, which is devoted to pop culture of the Mid-20th Century, a subject also close to my heart. In fact, over the last couple years I’ve been gradually adding more and more links to the Cartoon Cave's sidebar, listing numerous blogs devoted to Mid-Century Modern art and entertainment, as this is what I’ve always loved best.

I’ve been reading Pam’s Go Retro site for quite a while now, and I really enjoy the subjects she chooses to write about. Go Retro is of a likeminded nostalgic bent to my own Cartoon Cave, and I find Pam’s posts quite informative and delightfully written. More recently, Pam and I have become friends through Facebook, and I'm very happy to have met her through that online venue. We seem to share a lot of common interests, and it turns out that Pam’s all-time favourite male vocalist is none other than Bobby Darin, who is also a favourite of mine, second only to Frank Sinatra on my list!

So in honour of her birthday, I’ve created this caricature of the lovely Pam Sosnowski, and I would like to encourage my readers who share an interest in Mid-20th Century pop culture to please go check out Go Retro for more warm nostalgic memories of the glorious past!

Happy Birthday, Pam!

The Great Al Martino

This morning I awoke to the very sad news that singer Al Martino had passed away at the age of 82. Though I am grateful that he enjoyed a long and happy life and career, I am personally saddened because, of all the legendary Italian American crooners that I've long admired, Al Martino was the only one whom I'd actually had the pleasure to see several times in concert and meet in person.

Al Martino had been very successful starting from the 1950s, and particularly through the 60s and early 70s, with a string of song hits including Here In My Heart, Spanish Eyes and Volare. However, as many of my generation probably were, I was initially most aware of Al Martino from his film performance in The Godfather, where he played Johnny Fontane, a singer with movie aspirations clearly modeled on Frank Sinatra at the time Sinatra was fighting for the role in From Here To Eternity. Because the movie (and the original novel) depicted Fontane as having influential friends within the mafia, Frank Sinatra was none too happy with either the character or with Al Martino for playing the role. I gather that Frank held a grudge against Al ever since that time.

But in the years after The Godfather, I became a big fan of Al Martino, just as I loved all of those legendary Italian American singers like Sinatra, Dean Martin, and Bobby Darin. In fact, when my fellow highschoolers were all grooving to such 1970s newcomers as Elton John and Billy Joel, one of my favourite songs from the pop charts of that era was Al Martino's To The Door Of The Sun. Yeah, I was a weird kid, always with tastes that were more in keeping with my parents' generation. I remember the way Al Martino looked at that time, with the huge sideburns and mane of black hair, very similar to that of his contemporary and longtime friend, Engelbert Humperdinck. It was this look which I decided to capture in the above caricature.



About seven or eight years ago, Al Martino had been making regular stops here in Mississauga every couple of years on his concert tours, playing at Stage West in a dinner show format. My Mom and I were both big fans, so it was always nice to get together with her to go see Al in concert. I believe we saw him on four occasions, and it was on the third where I worked up the caricature and framed up the original to present to him. What was wonderful about Al was that he would always greet his fans out in the Stage West lobby after his show, and he was quite thrilled when I presented him with my framed art. He happily obliged to sign a print for me to add to my growing collection of showbiz memorabilia. Shortly thereafter, I was really excited to receive the following message on my website guestbook from Al's wife Judi:

Dear Pete,

What a wonderful surprise I got when my husband, Al Martino, came home from his recent tour of Canada. There was a fantastic caricature of him that you had done. You definitely captured him and I absolutely LOVE it. I have gotten so much pleasure out of seeing it.
Al has a studio here at our house and it now is very proudly displayed. We both thank you for your kindness. And what a talent. You have made our world a much happier place. God Bless You.


On the next visit, Judi accompanied him on tour, so I went up to say hi when I saw her in the lobby before the show chatting with the concert promoter. She was so sweet and insisted that I come back to see Al again after the show. When I saw them in the lobby later, Al happily greeted me and again expressed how grateful he was to me for doing his caricature. They were both such lovely people that I asked if I could take a photo of them together, which you can see pictured above. Al Martino was such a wonderful entertainer with that rich operatic baritone, and he was also a real gentleman. I will personally miss him so much, but am grateful for having had a chance to meet him several times. My sincere condolences go out to Al's wife Judi and their family.

Here are a couple clips to enjoy of Al Martino in performance. The first, singing his big hit, Spanish Eyes, and the second singing a song he recorded in the later years of his life, the poignant tale of an Italian immigrant first arriving in America, Come Share The Wine. As you can hear in that second clip, Al Martino's voice was still so rich and strong even into his later years.

Happy Birthday Bobby Darin!

Last year at this time I observed the 10th anniversary of the death of my favourite singer, Frank Sinatra. Not long thereafter, I discovered that May 14th coincidentally also happened to be the birthdate of my second favourite singer of all time: Bobby Darin.

Despite his breezy and hip onstage persona, Bobby led a pretty rough life. As a young boy he was bedridden for some time with rheumatic fever, a disease that recurred and left him with a weak heart. Doctors at the time didn't give him much chance of living beyond the age of 16, but Bobby was determined to prove them all wrong and set out to pack a lot of living into what time he had left, keeping a sharp focus on becoming a big name singer and musician. In addition to singing, he learned to play guitar, drums, harmonica, vibes, among other talents, and all of this he did well, adding film acting to his portfolio a short time later.

Originally he started out as a typical 50s rock 'n' roller, being groomed by his record label to follow in Elvis's footsteps. But Bobby had set his sights on being more of the nightclub performer, aspiring to give Sinatra a run for his money. Despite his becoming a crooner in the popular style of the day, the rock 'n' roll side may have given him a bit of distinction though, as there was often an edginess in his choice of material, delivered with a particularly sardonic flair. His big hit, Mack the Knife is a about a murderous thug, yet sung with a morbidly humourous, swinging beat. Both Clementine and Artificial Flowers take a similarly light approach to stories of tragic deaths, and I sometimes wonder if it was Bobby's sense of his own impending mortality that informed this almost detached and satirical bent in his rather dark subject material.

I must admit, I was never as keen on Bobby Darin's later work as a politically active folk singer (adopting "Bob Darin" as his more mature stage name), although I certainly give the man credit in his admiration and efforts for Bobby Kennedy, Martin Luther King, and the civil rights movement of the turbulent 60s. Bobby himself may have tired of the tuxedo and nightclub style of singing but that is still what most of his fans love him for the most. He came to realize it too, as he found that the folk songs weren't enough to keep him in the public eye and he'd gone into recluse for some time following the assassination of his friend RFK, but he eventually went back to the stage as Bobby Darin once more to popular acclaim. Sadly though, shortly after appearing in a televised concert for NBC in 1973, Bobby Darin died of heart failure in December that same year at the tragically early age of 37. I wonder what greatness Bobby would have been capable of had he lived a normal lifespan.

Here is a clip from that televised concert featuring Bobby Darin singing my favourite of his many hits: Beyond the Sea.

Bye Bye Birdie

Back in the early 1960s, there seemed to be a plethora of singing Bobbys: Darin, Rydell, Vinton, Vee, Curtola, etc. etc. Well, when it comes to singing Bobbys, mostly I'm a fan of the great Bobby Darin, and I'll likely be doing a post on him sometime in the near future. But I also favoured Bobby Rydell, who, like Darin, brought a bit of that swinging Sinatra sound to the image of the teen rock and roll idol to create a sound that had a more lasting appeal. A couple weeks ago, I had the great pleasure of seeing Bobby Rydell in concert at Stage West here in Mississauga. I'm happy to report that Mr. Rydell, now 66, is still in very fine singing voice. Actually, I prefer the way his voice has matured as an adult, over the teen idol voice he had back at the start of his career, as it puts him very much in the realm of Sinatra, Vic Damone, Tony Bennett, etc.

Prior to going to see him in concert, I had drawn a caricature of both he and Ann-Margret in their roles in 1963's "Bye Bye Birdie", the musical that created some good-natured fun by spoofing Elvis's being drafted by the U.S. Army. The Elvis type character is fictionalized as the gyrating teen heartthrob,"Conrad Birdie", hence the title of the show. Bobby Rydell played the hapless boyfriend, "Hugo Peabody", being ignored by Ann-Margret's all-American girl,"Kim McAfee", who has been randomly chosen to give Birdie his one last kiss before the army gets him. The movie is a lot of fun and gives both Bobby and Ann-Margret an opportunity to really show off their song and dance skills. I think Ann-Margret is a phenomenal performer who wasn't given enough venues to display her musical talents onscreen. She's also terrific with Elvis himself in "Viva Las Vegas", which she made the following year, both films having been directed by George Sidney. It doesn't surprise me that she went on to great success on the Vegas stage, singing and dancing up a storm after those skills seemed to not be in high demand at the movies anymore.

I was pleased to see that Bobby Rydell still enjoys the film role, as he does a medley in his show of most of the songs from the score, while a montage of film clips plays on the screen behind him. As it turns out, Bobby Rydell was good friends with Bobby Darin back then, and he did a marvelous tribute to his late friend by singing a medley of his big hits. Of course Rydell performed most of his own big hits, such as "Wild One", "Volare", and "Sway", the latter song's swinging arrangements having likely inspired the more recent rendition by Michael Bublé.

Though I was hoping to present the framed caricature in person to Bobby Rydell, I'm afraid that turned out not to be possible, but I did manage to get it to him via the show's local promoter, who also got Bobby to autograph an additional print for me as I'd requested. I was told he got a real kick out of it, anyway.

So now, what better way to end off but to post the clip from "Bye Bye Birdie" that I'd based this caricature on. It's my favourite scene in the film, as it shows Ann-Margret at her sexiest as they all sing the swinging "A Lot of Livin' To Do". Enjoy!