Monday, October 14, 2013
Thursday, August 15, 2013
Happy Birthday, Mike Connors!
The show actually started out a bit differently in its first season, with Joe Mannix working for a technology-based detective agency called Intertect, run by Lew Wickersham, played by the always reliable Joseph Campanella. The huge banks of massive computers utilized by Intertect would seem quaint by today's standard of small desktop computers, but back then it would have been very impressive.
By season 2 however, it was decided that Mannix needed retooling to appeal more to viewers, so Joe was now a private detective operating out of a swanky, Spanish-style office in a well-to-do area of Los Angeles. He also now had a loyal and efficient private secretary, Peggy Fair, played by Gail Fisher. This was notable for that period in the 60s, as Peggy was a young black woman, and race was still a somewhat touchy subject on TV, though things had certainly progressed a lot by then. She was the widow of a policeman friend of Joe's who had been shot and killed in the line of duty, so Joe hired Peggy out of compassion and respect for his friend, and also did what he could to be a surrogate father figure to her young son, Toby. The show was not shy in confronting race issues on several episodes, and I think it did a lot in improving relations, evolving into the more enlightened 70s, where black actors stepped up to play leading roles in their own series.
What I love about Mannix and many other cop shows of the era, is the combination of authority and elegance that the various detectives had. One couldn't help but like and admire such characters as Joe Mannix, Steve McGarrett, or my personal favourite, Jim Rockford, as they were truly heroic and chivalrous men. They were unapologetic modern-day white knights, back before TV started to take a turn for the worse, eventually giving the viewer highly flawed "heroes" like what we have today. Frankly, I like my TV heroes to be good, decent, upstanding fellows, thanks just the same. In future blog posts I plan on paying tribute to more of them!
By the way, this Mike Connors tribute is dedicated to a fellow named Dave J. who had emailed me several weeks ago to request I do a caricature of Mannix, as he's also a big fan of the series. Thanks for the request, Dave - it was my pleasure!
Here is the opening title music to Mannix, a melodic, jazzy number by Lalo Schifrin, who also wrote the memorable theme to Mission Impossible:
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Labels: caricature, Mannix, Mike Connors, TV
Friday, July 19, 2013
Happy Birthday, Vikki Carr!
Any time I noticed in the TV Guide that Vikki was appearing as a guest on a variety or talk show, I made sure I had my trusty VCR set up to record her performance. I still have all those taped appearances, now transferred to DVD for posterity (I hope!) I was also a member of her fan club for many years, and looked forward to the quarterly newsletter. One time in 1979 or so, while reading the newsletter, I was thrilled to learn that Vikki would be appearing in Hamilton as a guest on the show, The Palace, a revival of sorts of The Hollywood Palace from the 60s, that was being produced in Canada and hosted by singer Jack Jones. I talked my parents into a trip from Ottawa to Hamilton for the taping of the show and sent away for tickets.
Before heading out, I had painted a caricature of Vikki and had it framed up in the hopes of finally meeting her. My folks and I went to the box office to make enquiries as to maybe meeting her after the show that evening so that I could present her with my artwork. I remember the woman at the desk being very nice and summoned Vikki's manager to find out if that would be possible. He smiled when he saw the caricature and said they were currently in rehearsal inside the theatre, but thought she might be able to take a break to meet me right then.
Sure enough, he came back with Vikki Carr herself and I was in heaven. She seemed thrilled with the art and gave me a big hug and kiss in accepting it. She was as sweet as could be as she took the time to chat with me and my folks for several minutes before she had to be back on the set. Yep, I was a pretty happy guy at getting to meet this warm, wonderful lady!
As the times were changing, and traditional vocalists were finding it harder and harder to compete with pop/rock types for radio airplay by the mid-80s, Vikki Carr, along with so many others, found her career in mainstream music being severely challenged. Being of Mexican descent and always having proudly maintained a warm relationship with her latin audience, Vikki managed to find new success in concentrating all of her energies on the latin market, releasing many albums of Spanish songs over the years hence. I always felt it was a shame that, through no fault of her own, Vikki came along just as the final wave of the truly great vocalists of our time was being phased out, and quite frankly, the pop music industry has not appealed to my tastes since. I'll continue to listen to my alltime favourite vocalists like Frank Sinatra, Bobby Darin, Peggy Lee.... and lovely Vikki Carr! Happy Birthday to you, Vikki!


(PS: One of the trickiest things in drawing this caricature of Vikki was her hair. I think she's had more different hairstyles over the years than any other woman I know of! This caricature was drawn from a guest appearance she made on The Dean Martin Variety Show in 1971, and as such, the hairstyle may not be her typical look.)
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Labels: caricature, The Tonight Show, Vikki Carr
Friday, July 5, 2013
In Search of Mermaids!
| Me with MeduSirena Marina and her pod of Aquaticats |
Here's Marina soon after we arrived at the Mai-Kai holding up the caricature print I did of her in her mermaid guise. Also, I'd asked her to autograph my copy of the recent issue of Bachelor Pad Magazine, in which she was featured on both the cover and in the main pictorial inside. I suspect the magazine increased its subscription sales as a result of Marina's appearance, as she has fast been becoming a cult figure in the retro lounge/tiki scene, appealing to those of us who are nostalgically passionate about mid-20th Century kitsch!
The Mai-Kai features a live Polynesian dinner show with a bevy of beautiful island dancers, and the food and tropical drinks were wonderful too. As a special treat, Marina had invited the members of her Aquaticat pod to join us for the evening out and so we had mermaids, Hina, Kika, and Kami along to add to the fun. This was apparently the first visit to the Mai-Kai for Kika too, so she was quite excited to be finally seeing the show she'd long heard about. But for a middle-aged guy like me, you can imagine how wonderful it was to be the only male at a table of very attractive young ladies, so this evening was most definitely the highlight of my vacation!
| From left to right in foreground: lovely Hina, Kika, and Kami |
| Here I am with two of the performers from the Polynesian show |
| Marina served on the half shell! |
| Me with my new flames, Kami and Kika |
| Kika lets her drink go to her head! |
| Marina gives some competition to the ship's maidenhead in the Mai-Kai's Molokai Bar |
| Ah, this is the life I was meant to lead!! |
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Labels: caricature, Ft. Lauderdale, MeduSirena Marina, mermaids, Wreck Bar
Monday, June 17, 2013
Congrats Rowan Atkinson!
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Labels: caricature, Mr. Bean, Rowan Atkinson
Saturday, June 1, 2013
RIP Jean Stapleton
Back when I was a 14 year old kid, I drew caricatures of all four principal characters on the show and sent them to the actors care of CBS studios, hoping they'd receive them. I'm sure at the age I was then, my drawings were not that great, but I was so happy when I got this nice reply from Jean Stapleton sometime later. I think it may have been one of my first celebrity autographs. Anyway, this sweet note convinced me that Jean must be a really nice lady, and I publish it here in loving memory of this fine actress.
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Labels: All In The Family, Jean Stapleton, TV
Thursday, May 16, 2013
Happy Birthday,Yvonne Craig!
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Labels: Batman, caricature, TV, Yvonne Craig
Saturday, May 11, 2013
Seeing Red
By the way, for those out of the loop, here's the silly controversy I'm referencing regarding a perceived makeover of Merida from Disney/Pixar's Brave. And here's my take on the subject that I had posted on Facebook that I think is worth reposting here:
I must admit I feel that everybody is getting their knickers in a knot unnecessarily about this supposed makeover of Merida. I suspect it is nothing more than a less than faithful final rendering done by an outside illustrator based on a much better and accurate drawing by the talented Jennifer Gwynne Oliver, not a deliberate, insidious attempt to sex her up at all. Part of the problem is that, in order to fit into "The Disney Princess" merchandising program, Merida (like Rapunzel before her) has to be translated from CG to drawing to be consistent with the others. In so doing, some of the subtleties of the design are lost, notably the complex frizzy hair, as well as the need to define her eyes more graphically with an outline.
I think it's fair to say that even the traditionally animated Disney girls have lost some of their likeness as they've been homogenized into a consistent art style for this merchandising program. Aurora in particular has been rounded out more from her original, more graphic design. To be honest, I've never much liked the mentality of "The Disney Princess" program to begin with, as it takes these characters out of context of their respective cartoon universes, as well as away from the unique variety of shapes and sizes of their respective co-stars. It then places them together alongside their similarly shaped sorority in what looks like a Vanity Fair photo shoot, not allowing any of them to acknowledge or interact with each other in any way. Artistically it's a pretty dumb concept, however little girls just love it and, since they're the target market for all the dolls and accessories, I say let it be. Personally I don't give a rat's ass about them being "role models" - that's just a lot of ultraliberal claptrap.
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Labels: cartooning, Disney
Sunday, April 7, 2013
Happy Birthday, James Garner!
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| James Garner as gambler, Bret Maverick |
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Labels: caricature, James Garner, Maverick
Saturday, March 30, 2013
Happy 100th Birthday, Marc Davis!
Yes, today marks the 100th anniversary of the birth of Marc Davis, one of "The Nine Old Men", Disney's celebrated group of veteran animators. Andreas Deja has been writing up some great posts on his blog, so I'm not about to compete with that. But I also love and admire the work that Marc did after his career as an animator, when he moved on to design and create many of the best attractions at both Disneyland and Walt Disney World. Attractions such as The Haunted Mansion, It's A Small World, and The Pirates of the Caribbean were all a big part of my childhood in those early years of family road trips from Ottawa, Canada, down to the brand new Walt Disney World in Florida in the early 1970s. Actually, though, my personal favourite attraction that Marc designed was The Country Bear Jamboree, that had its debut at Walt Disney World before also being built for the Bear Country area in Disneyland.
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| Marc Davis concept art..... |
At that time in the 70s, both my Dad and I were big fans of country music, so The Country Bear Jamboree was a well appreciated parody of Nashville's beloved Grand Ole Opry, with its caricatures of familiar character types from that era of country in the form of cartoon bears in various shapes and sizes. To this day I still love vintage country music (although not its vapid pop/rock incarnation as "New Country"), and The Country Bear Jamboree in its heyday remains a favourite of mine. Sadly, I hear that the show has been recently pared down in length by the philistines who currently run Disney, as they feel that they can get more performances crammed in per day in this abbreviated form.
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| ....Translated into the actual show! |
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| Marc Davis working on The Western River Expedition model |
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| Concept art for the saloon scene |
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| Western desperadoes! |
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Labels: Disney, Marc Davis, WDW
















